Nakamichi tapedeck8/24/2023 ![]() Other decks are more exactingly engineered inside and out, and many others give superior technical performance in most areas, yet the 1.5, with its idiosyncrasies that no other company would allow on their decks, has an immediately striking realism that lives and breathes music in a way that simply eludes others. Nakamichi has always made cassette decks that audition better than others of comparable price now it seems to have entered a new phase where the decks continue to do so, but without any obvious reason why. This single ergonomic shortcoming is offset by an uncommonly smooth acting set of logic transport controls, which operate one of the sweetest and quietest transports you can buy. As expected, the record level meters are of fine quality, resolution and range (50dB), but the input level control is squirreled away under the flap and hard to use. The Nakamichi can be plumbed into an all Nakamichi system for remote control purposes, and headphones can be connected at fixed level only. There are precious few other facilities, but you do get Dolby B and C, a fine bias adjust control, auto or manual tape/source selection and a simple electronic tape counter with a counter search (ie return to zero) facility. ![]() The 1.5 has all the expected Nakamichi-style idiosyncrasies, most notably manual tape type switching (there are three buttons, labelled Type I, Hand IV, but you’ll have to open a flap on the facia to find them) and the absence of Dolby HX Pro (I have never been able to make Nakamichi explain why). This deck sits neatly between them, with the three head layout of the dearer model, but not the azimuth adjustment that ensures playback compatibility of previously recorded tapes. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable.The nomenclature arises because Nakamichi already has a Cassette Deck 1 and 2. The switchable MPX filter of the BX-2 filters out the pilot signal, and assuring proper Dolby processing of FM stereo programs.įor undisturbed listening a jack connector for a pair of stereo headphones is supplied. The 19kHz multiplex pilot slgnal present in FM stereo broadcasts can cause false triggering of the noise reduction system. Full-logic transport controls used on the BX-2 let it respond to the slightest finger contact for fast and effortless transport function selection.ĭolby C-type used in the BX-2 provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. ![]() Level meters used on the BX-2 are digital LED peak reading meters. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well. Typical front loading cassette deck with the cassette compartiment located on the left side of the deck. The main features of the Nakamichi BX-2 are: 2 heads, digital tape counter with 4 digits and memory stop, manual tape type selection and capable of handling normal, chrome and metal tapes with additional manual equalization selection, belt driven single-capstan transport. ![]() This Nakamichi BX-2 is a stereo cassette deck with Dolby B and C noise reduction, it was first sold by Nakamichi in 1982 with a manufacturer suggested retail price of USD $450 and discontinued a year later.
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